Described as 'America's greatest living playwright' (Wall Street Journal), Kenneth Lonergan is internationally acclaimed for his trademark humour and his genius for capturing the real heart and soul of human interactions. This volume gathers together three of his landmark plays. This Is Our Youth (1996) is a wildly funny, bittersweet and lacerating look at three days in the lives of three affluent young Manhattanites in the 1980s. Its West End premiere in 2002 was notable for its successive casts of young Hollywood stars, including Casey Affleck, Matt Damon, Jake Gyllenhaal, Anna Paquin and Summer Phoenix. 'A rambunctious and witty play... caustic, cruel, compassionate' The New York Times. The Waverly Gallery (1999) is a poignant, generous and frequently hilarious play about a feisty grandmother's last battle against Alzheimer's disease. More than a memory play, it captures the humour and strength of a family in the face of crisis. It was a finalist for the 2001 Pulitzer Prize for Drama, and revived on Broadway in 2018 to widespread acclaim. 'Both one of the most beautiful things you'll ever see in a Broadway theatre and one of the most profoundly sad' Chicago Tribune. Lobby Hero (2001) tells the story of a luckless young security guard trying to get his life together after being thrown out of the navy. But working in a lobby proves to be no sanctuary from the world, as he is unwittingly drawn into a murder investigation. The play received its British premiere at the Donmar Warehouse, London, in 2002, and was also revived on Broadway in 2018. 'Artfully intertwines private and public issues... [Lonergan] has the lightest of touches and writes with deft humour' Guardian. This collection, published alongside the UK premiere of Lonergan's The Starry Messenger in 2019, also features an exclusive introduction by the author.

Mark Williams is tired of his marriage and tired of his job teaching astronomy at the Hayden Planetarium in New York City. Angela Vasquez is a young single mother training to be a nurse. Norman Ketterly is fighting for his life in a cancer ward. Their intertwining stories unspool under a canopy of stars too vast to imagine and too beautiful to comprehend, especially when the travails of life on Earth threaten to blot it out. Kenneth Lonergan's play The Starry Messenger is a bittersweet exploration of love, hope and the mysteries of the cosmos. It premiered in New York in 2009, and received its UK premiere at Wyndham's Theatre, London, in May 2019, featuring Matthew Broderick and Elizabeth McGovern.

The Academy Award–winning screenplay of “a drama of surpassing beauty” (Wall Street Journal) Kenneth Lonergan’s Academy Award and BAFTA–winning screenplay for the acclaimed film Manchester by the Sea is a staggering achievement and an emotionally devastating meditation on grief. Lee Chandler is a brooding, irritable loner who works as a handyman in Boston. One damp winter day he gets a call summoning him to his hometown, Manchester-by-the-Sea, the fishing village where his working-class family has lived for generations. His brother’s heart has given out suddenly, and he’s been named guardian to his riotous 16-year-old nephew. His return re-opens an unspeakable tragedy, as he is forced to confront a past that separated him from his wife, Randi, and the community where he was born and raised. A sweeping story of loss and new beginnings, Manchester by the Sea “illuminates with quiet, unyielding grace how you and I and our neighbors get by, and sometimes how we don’t” (Boston Globe). Rounding out the volume is a trenchant and incisive introduction by Kenneth Lonergan on writing for film.

Kenneth Lonergan is known for his trademark humor and genius for capturing the real heart and soul of human interactions. Time magazine raved that he is among our most gifted, unflinching and unpretentious new playwrights, and called his first play, This Is Our Youth, one of the ten best plays of 1998. With The Waverly Gallery, Lonergan has once again shown himself to have one of the keenest ears of any working playwright (Ben Brantley, The New York Times). A powerfully poignant and often hilarious play, The Waverly Gallery is about the final years of a generous, chatty, and feisty grandmother's final battle against Alzheimer's disease. Gladys is an old school lefty and social activist and longtime owner of a small art gallery in Greenwich Village. The play explores her fight to retain her independence and the subsequent effect of her decline on her family, especially her grandson. More than a memory play, The Waverly Gallery captures the humor and strength of a family in the face of crisis. You will be awed by Lonergan's writing. -- Christopher Isherwood, Variety; [Lonergan] has written a loving but brutal, commercial yet unflinching American family drama that knows about the simultaneous human systems of entertainment and agony. As anyone who cares about aging loved ones already knows, life on that particular edge is often so real you have to laugh. . . he is dead-on about family in all its simultaneous affection and irritation. -- Linda Winer, Newsday; A stirring and soulful, comic drama ... classically so, a la Glass Menagerie ... Waverly is often deeply funny. It is both painful and hilarious. -- Ben Brantley, The New York Times

Gladys, the elderly matriarch of the Green family, has run an art gallery in a small Greenwich Village hotel for many years. The management wants to replace her less-than-thriving gallery with a coffee shop. Always irascible but now increasingly erratic, Gladys is a cause of concern to her daughter, her son-in-law, and her grandson, from whose point of view this poignant memory play is told. A wacky and heartrending look at the effect of senility on a family, The Waverly Gallery was a success at